Beirut!

This review never "officially" made it up, so I'm putting it up myself, damn it! What.

Beirut’s sold-out show at Terminal 5 was a truly cinematic experience. The theatrics were not found in glamour and glitz but rather in the heart of the music which possessed a worldly feel. It’s the kind of music that makes you feel alive. The group, Zach Condon, Kelly Pratt, Nick Petree, Paul Collins, Perrin Cloutier and Ben Lanz,  appeared classy on stage sporting button downs and black pants. Like clockwork, they fluently switched from one instrument to the next. And these instruments are not just your typical guitar and drums. No sir. The usage of the accordion, piano, upright bass, euphonium, trombone, trumpet, glockenspiel and ukele came into play creating an epic orchestra affect that miraculously was not overbearing. Condon’s voice was controlled and strong with a certain beautiful rawness to it. Sometimes it almost sounded operatic while at other times it was gentle and smooth, always coming from a genuine place. The music at times reminded me of an awesome carnival that is romantic, dark, hopeful and imaginative all at once. 

Beirut’s live version “Nantes” was slightly more upbeat than it appears on the 2007 album Flying Cup and was definitely one of many big hits throughout the night. This song is a great example of how Condon is able to compose lyrics that are elegant and poetic yet totally relatable. From the same album, “A Sunday Smile” also proved to be quite popular with the audience as their voices chimed in, singing along to the heartfelt ballad. The groups’ diverse influences were apparent throughout their set which ranged from an almost big band jazz feel to softer folk and what felt like a Spanish fiesta. The piano and vocals in “Goshen” from The Rip Tide were delicate and mellow while “Mount Wroclai” from Gurlag Orkestar showcased Beirut’s Balkan folk roots and “The Akara” encompassed inspiration from Condon’s trip to Mexico.

The show was lively and full of energy and despite their lengthy set, it seemed to fly by in a fit of whimsy. Beirut appeared to be grateful for their warm response which resulted in not one, but two encores. The show closed perfectly with a spontaneous brass band jam that brought on impromptu dancing and lots of happy feelings.